[dropcap2]I[/dropcap2]n the search for the “perfect curve” I seek out vessels. Compound curves are not an easy endeavor when I seek them out of steel. Technically they challenge me but more so aesthetically. To bring a combination of curves together in a form that conforms to a pleasing and comfortable shape is a great joy. As I travel this path, I am forever consumed by the wonder of curves, and I occasionally find one that speaks to the work.
Port-Au-Prince 1982 – True Lies – Neurotic Embrace – Neck Bones and Rice – & 12 more.
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